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Irreverent, informed and downright eclectic books and reportage from Southeast Asia and beyond
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Published in November’s issue of Geographical Magazine, magazine of the Royal Geographical Society, was Bangkok based photographer’s Luke Duggleby’s feature on the reviving of Cambodia’s pepper industry after it was destroyed by the Khmer Rouge. I traveled to Kampot with Luke to write the story.
One of Cambodia’s best known exports prior to the Khmer Rouge revolution was pepper, grown for the most part around Kampot, an idyllic French-era seaside town on the kingdom’s south eastern coast.
Chou Ta-Kuan, the Chinese envoy who visited Cambodia in the 13th century made mention of pepper in his book The Customs of Cambodia as part of a list of remarkable Cambodian products. He recommended pepper to be consumed when it’s fresh and blue-green in color. Major production started in the late 19th century and was soon exported all over the world. In France, Kampot Pepper soon became a household name. By 1900, production had reached 8,000 tons a year. In 1960, there were more than a million pepper poles in Kampot Province.
The Khmer Rouge put an end to this, but some surviving farmers returned to their fields in the 1980s, following Vietnamese liberation, and some have begun to grow pepper again. Because most small-scale farmers live more or less from hand to mouth, the pepper vine, which needs to mature for three years before it starts producing any harvestable pepper corns, has been slow to return. And yet, the plant is a good long-term investment. It reaches full maturity after six years and can be harvested for as long as fifteen years. Several hundred farmers are now working with NGOs and foreign investors to rebuild the industry.
In Kampot Province, pepper is grown just once a year and harvested between September and April, depending on the type of pepper. The region produces fresh green pepper, black pepper, white pepper and red pepper. Sometimes it’s possible to purchase bird pepper, which, as the name suggests, has been digested and expelled by birds. Bird pepper is said to have aphrodisiac powers.
I am back in Siem Reap, amongst the Angkor temples, just 5 hours by taxi from my front door in Bangkok….and a quick walk through hordes of hustlers and past fading casinos at the Thai-Cambodian border… last leg of my research for the forthcoming Moon Angkor Wat.
Yesterday, Achan Neng Onnut, a Sak Yant tattoo master who supported the research of my new book Sacred Skin, the first English language publication on Thailand’s sacred tattoos, celebrated Wai Khru Day. During the course of the day, hundreds of his devotees visited his home in Bangkok to pay their respects to the master and his work.
Achan Neng Onnut has his own website which features some images of the making of a documentary on Sak Yant and Sacred Skin for German and French television and the German broadsheet Die Zeit.
Watch the short documentary (in German) from Die Zeit, featuring Achan Neng Onnut and celebrated photographer James Nachtwey here.
Co-author and photographer Aroon Thaewchatturat and myself will be giving a series of talks on Sacred Skin in Bangkok in March and April. Dates and venues to be announced.
A Bangkok Post review of my new book Sacred Skin - Thailand’s Spirit Tattoos, co-authored with photographer Aroon Thaewchatturat, has just been reposted on the Awesome Tattoos blog.
The review includes an interview with Aroon.
Photo taken at Bangkok International Airport.
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Floating somewhere between the Hooghly River and Massive Attack, Tritha is a music ensemble from Kolkata.
The band played a couple of shows at The Space in Bangkok last month
Tritha Sinha and Ritika Singh - highly accomplished and very feisty performers. A healthy dash of feminism, a loud cry for equality for India’s women and some entertaining reflections on personal freedom in modern India made for an involving and gently confrontational show. The world clearly needs more Indian woman power!
The much vaunted appearance of Tritha makes me wonder whether the West Bengali capital, after a recent change in local government, is finally on some kind of cultural rebound. Kolkata always had the reputation of producing India’s most intellectually stimulating art - from the poetry of Tagore to its output of intellectual films - in contrast to brash and commercial Mumbai - but the city had lost some of its artistic touch in recent years. Let’s hope Tritha are a sign of renaissance.
Check out this wonderfully surreal video PaGli, the story of a mad woman on the streets of Kolkata.
Also great is this live clip of Kali’s Forest.
Achan Neng Onnut, one of several tattoo masters featured in my recent book Sacred Skin, the first English language publication on Thailand’s spirit tattoos, Sak Yant, has posted a number of images of the shoot for two documentaries on the book.
Director Marc Eberle shot an 8 minute docu on Sacred Skin for arte TV in Germany and France while Meike Fries and Andreas Nebeling shot a 5 minute short film about photographer Aroon Thaewchatturat for German broadsheet Die Zeit.
Both short films featured interviews with the authors, with Achan Neng Onnut and with celebrated conflict photographer James Nachtwey.
Lard Yao Peter travels and tattoos. With long steel needles.
Peter learned his trade in Lard Yao Prison, also known as Klong Prem or the Bangkok Hilton, Thailand’s notoriously infamous jail, where he spent some time in the 1990s.
Spiegel TV has produced an interesting documentary on this extraordinary German. Obviously, the film is in German but should still prove fascinating for anyone interested in the contemporary tattoo scene and especially in Thailand’s sacred tattoos, Sak Yant.
German broadsheet Die Zeit recently produced a short film on my book Sacred Skin. The 5 minute documentary by Meike Fries and Andreas Nebeling features interviews with photographer Aroon Thaewchatturat, tattoo master Achan Neng Onnut and photographer James Nachtwey.
Achan Neng Onnut has just posted a number of images from the film shoot on his website.
The image at the top of this page was lifted from Lard Yao Peter’s website.
Check out the excellent photo essay Risky Bangkok by seminal Thai photographer Vinai Dithajohn.
Vinai Dithajohn is a Bangkok-based photojournalist covering news and documentary stories in Thailand and Southeast Asia for the past ten years. He has been shooting Thailand’s political turmoil as well as Bangkok’s dark underbelly and subcultures, often risking his life to bring us these excellent and stark images of realities few visitors to the Thai capital ever get to see. I especially like this photo essay he has posted on YouTube.
Watch Risky Bangkok here.